Tao Te Ching

FOREWORD

Tao Te Ching (pronounced, more or less, Dow Deh Jing) can be translated as The Book of the Immanence of the Way or The Book of the Way and of How It Manifests Itself in the World or, simply, The Book of the Way. Since it is already well known by its Chinese title, I have let that stand.

About Lao-tzu there is practically nothing to be said. He may have been an older contemporary of Confucius (551-479 BCE) and may have held the position of archive-keeper in one of the petty kingdoms of the time. But all the information that has come down to us is highly suspect. Even the meaning of his name is uncertain (the most likely interpretations: “the Old Master” or, more picturesquely, “the Old Boy”). Like an Iroquois woodsman, he left no traces. All he left us is his book: the classic manual on the art of living, written in a style of gemlike lucidity, radiant with humor and grace and largeheartedness and deep wisdom: one of the wonders of the world.

People usually think of Lao-tzu as a hermit, a dropout from society, dwelling serenely in some mountain hut, unvisited except perhaps by the occasional traveler arriving from a ’60s joke to ask, “What is the meaning of life?” But it’s clear from his teachings that he deeply cared about society, if society means the welfare of one’s fellow human beings; his book is, among other things, a treatise on the art of government, whether of a country or of a child. The misperception may arise from his insistence on wei wu wei, literally “doing not-doing,” which has been seen as passivity. Nothing could be further from the truth.

A good athlete can enter a state of body-awareness in which the right stroke or the right movement happens by itself, effortlessly, without any interference of the conscious will. This is a paradigm for non-action: the purest and most effective form of action. The game plays the game; the poem writes the poem; we can’t tell the dancer from the dance.

Less and less do you need to force things,
until finally you arrive at non-action.
When nothing is done,
nothing is left undone.

Nothing is done because the doer has wholeheartedly vanished into the deed; the fuel has been completely transformed into flame. This “nothing” is, in fact, everything. It happens when we trust the intelligence of the universe in the same way that an athlete or a dancer trusts the superior intelligence of the body. Hence Lao-tzu’s emphasis on softness. Softness means the opposite of rigidity, and is synonymous with suppleness, adaptability, endurance. Anyone who has seen a t’ai chi or aikido master doing not-doing will know how powerful this softness is.

Lao-tzu’s central figure is a man or woman whose life is in perfect harmony with the way things are. This is not an idea; it is a reality; I have seen it. The Master has mastered Nature; not in the sense of conquering it, but of becoming it. In surrendering to the Tao, in giving up all concepts, judgments, and desires, her mind has grown naturally compassionate. She finds deep in her own experience the central truths of the art of living, which are paradoxical only on the surface: that the more truly solitary we are, the more compassionate we can be; the more we let go of what we love, the more present our love becomes; the clearer our insight into what is beyond good and evil, the more we can embody the good. Until finally she is able to say, in all humility, “I am the Tao, the Truth, the Life.”

The teaching of the Tao Te Ching is moral in the deepest sense. Unencumbered by any concept of sin, the Master doesn’t see evil as a force to resist, but simply as an opaqueness, a state of self-absorption which is in disharmony with the universal process, so that, as with a dirty window, the light can’t shine through. This freedom from moral categories allows him his great compassion for the wicked and the selfish.

Thus the Master is available to all people
and doesn’t reject anyone.
He is ready to use all situations
and doesn’t waste anything.
This is called embodying the light.

What is a good man but a bad man’s teacher?
What is a bad man but a good man’s job?
If you don’t understand this, you will get lost,
however intelligent you are.
It is the great secret.

The reader will notice that in the many passages where Lao-tzu describes the Master, I have used the pronoun “she” at least as often as “he.” The Chinese language doesn’t make this kind of distinction; in English we have to choose. But since we are all, potentially, the Master (since the Master is, essentially, us), I felt it would be untrue to present a male archetype, as other versions have, ironically, done. Ironically, because of all the great world religions the teaching of Lao-tzu is by far the most female. Of course, you should feel free, throughout the book, to substitute “he” for “she” or vice versa.

As to method: I worked from Paul Carus’s literal version, which provides English equivalents (often very quaint ones) alongside each of the Chinese ideograms. I also consulted dozens of translations into English, German, and French. But the most essential preparation for my work was a fourteen-years-long course of Zen training, which brought me face to face with Lao-tzu and his true disciples and heirs, the early Chinese Zen Masters.

With great poetry, the freest translation is sometimes the most faithful. “We must try its effect as an English poem,” Dr. Johnson said; “that is the way to judge of the merit of a translation.” I have often been fairly literal — or as literal as one can be with such a subtle, kaleidoscopic book as the Tao Te Ching. But I have also paraphrased, expanded, contracted, interpreted, worked with the text, played with it, until it became embodied in a language that felt genuine to me. If I haven’t always translated Lao-tzu’s words, my intention has always been to translate his mind.

✷

1

The tao that can be told
is not the eternal Tao.
The name that can be named
is not the eternal Name.

The unnamable is the eternally real.
Naming is the origin
of all particular things.

Free from desire, you realize the mystery.
Caught in desire, you see only the manifestations.

Yet mystery and manifestations
arise from the same source.
This source is called darkness.

Darkness within darkness.
The gateway to all understanding.

 

2

When people see some things as beautiful,
other things become ugly.
When people see some things as good,
other things become bad.

Being and non-being create each other.
Difficult and easy support each other.
Long and short define each other.
High and low depend on each other.
Before and after follow each other.

Therefore the Master
acts without doing anything
and teaches without saying anything.
Things arise and she lets them come;
things disappear and she lets them go.
She has but doesn’t possess,
acts but doesn’t expect.
When her work is done, she forgets it.
That is why it lasts forever.

 

15

The ancient Masters were profound and subtle.
Their wisdom was unfathomable.
There is no way to describe it;
all we can describe is their appearance.

They were careful
as someone crossing an iced-over stream.
Alert as a warrior in enemy territory.
Courteous as a guest.
Fluid as melting ice.
Shapable as a block of wood.
Receptive as a valley.
Clear as a glass of water.

Do you have the patience to wait
till your mud settles and the water is clear?
Can you remain unmoving
till the right action arises by itself?

The Master doesn’t seek fulfillment.
Not seeking, not expecting,
she is present, and can welcome all things.

 

51

Every being in the universe
is an expression of the Tao.
It springs into existence,
unconscious, perfect, free,
takes on a physical body,
lets circumstances complete it.
That is why every being
spontaneously honors the Tao.

The Tao gives birth to all beings,
nourishes them, maintains them,
cares for them, comforts them, protects them,
takes them back to itself,
creating without possessing,
acting without expecting,
guiding without interfering.
That is why love of the Tao
is in the very nature of things.

I read the Stephen Mitchell translation of the Tao Te Ching in one sitting, three times. It is stunning, so lovely. It is a treasure.
—Louise Erdrich

[This translation] comes as close to being definitive for our time as any I can imagine. It embodies the virtues its translator credits to the Chinese original: a gemlike lucidity that is radiant with humor, grace, largeheartedness, and deep wisdom.
—Huston Smith, author of The Religions of Man

Stephen Mitchell’s great talent is to communicate with the profound simplicity utterly appropriate for this task. The obscure has been made transparent and available. [This is] a book beautiful in every respect.
—Joan M. Erikson, Common Boundary

Stephen Mitchell is an extraordinary scholar and translator. His rendition of the Tao Te Ching is beautiful and accessible; the English, as “fluid as melting ice,” is a joy to read throughout.
—The New Republic

Mitchell…has translated the Tao Te Ching…with passion and scholarly dexterity. None of the other translations comes off as smooth, clear, and simple — as Taoist — as this one… His intuition and willingness to improvise revitalizes the message of the Tao Te Ching.
—San Francisco Chronicle

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